Showing posts with label Metropolitan Opera. Show all posts
Showing posts with label Metropolitan Opera. Show all posts

Saturday, March 20, 2010

The Nose at the Metropolitan Opera

For my first Opera experience, The Nose was an odd choice. It was a no brainer for me because of the involvement of William Kentridge. His direction and set design created a visual experience that would have been incredible without the Opera itself. I say this knowing full well how sacrilegious that sounds, but the artist has been known for his solo performances and animations for many years.

I spent 3 weeks prior to the Nose listening to the music and to some other Opera. I quickly understood how this modern Russian Opera taken from Gogol’s short story of the same name was different from “traditional” Opera. I do enjoy the music but mostly one Act at a time. Two hours of the Nose was a lot for me and my friends, all Opera virgins. Shostakovitch shows off, but really doesn't leave much room for joy for the listener. The story is not really enough to fill out an entire Opera. We loved the sets, the projections and the overall design. There was so much to see it almost didn’t matter that our seats were basically at Yankee Stadium.

The music is just tough. It comes in fits and spurts and rushes to uproarious moments of climax that are somewhat painful. There are laughs, there are small moments of sadness, and there are big moments that fall flat.

I know it sounds like I didn’t enjoy myself but I did! The Nose will be my first Opera, not my last!

Friday, March 5, 2010

Opera : All I ever knew was Elmer Fudd

In preparation to see Shostakovich’s The Nose at the Metroplitan Opera with set designs by William Kentridge (There are some good links on the met site relating to Kentridge), I have been listening to the music as conducted by Valery Gergiev. I have enjoyed it, but I know that this is not “traditional” opera so to speak.

The Merola Opera Program was kind enough to send me their Merola 50th Anniversary CD. I want to thank them for this kind contribution to the yearofclassical project. It has given me a nice primer for a variety of operas and styles, but man will I need more help. I will listen to any and all suggestions from the peanut gallery. Please educate me.

I am finding myself enjoying the music far more than I thought I would. Yogi Berra references aside, I am looking forward to hearing the fat lady (or man) sing.

Saturday, January 30, 2010

Brahms for sale and The Nose

This week I received two great leads:

1) William Kentridge’s set design for the Shostakovich Opera “The Nose” will be at The Metropolitan Opera in February
2) Amazon.com was having a sale on a collection called “The 99 Most Essential Brahms Masterpieces” for 1.99 (Now that it is OFF sale it is a bank-breaking $5.99)

I have already lined up nearly the worst seats in the house for a performance of The Nose. I know that the $20 dollar tickets aren’t ideal, but this is my first Opera experience and I am excited for it!

The Brahms collection is actually excellent. At 6 dollars I think it is still a very smart buy! The more I listen the more I find themes that I have heard throughout my life. After Beethoven, it is a welcome change to have the broad sweeping romantic tones of Brahms.

Having started with Bach, then to Beethoven now Brahms, I now feel like I am getting at least a broad sense of the lineage of these towering figures.